News

Acquisition

Justin Williams

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Heather B Swann: A velvet ant, a flower and a bird

Potter Museum of Art
19 Feb – 6 June 2026

Heather B Swann, Leda and the Swan, 2021

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Hany Armanious: Stone Soup

Buxton Contemporary

21 November 2025 – 11 April 2026

Hany Armanious, Flat Earth, 2017.

News

Publication: Great Women Sculptors

We are pleased to announce the inclusion of several Buxton International Collection artists in Phaidon’s recent publication, Great Women Sculptors.

This significant volume presents an expansive and inclusive history of sculpture, featuring over 300 artists from more than 60 countries across 500 years. Each entry is accompanied by an image and newly commissioned text, highlighting both established figures and leading contemporary voices.

Featured Buxton International Collection artists include Mikala Dwyer, Eva Rothschild, Renee So, Huma Bhabha and Tschabalala Self.

Acquisition

Tschabalala Self

Tschabalala Self’s Submission, 2025 marks the first acquired work by the artist to enter the Buxton International Collection. The work exemplifies Self’s distinctive approach to constructed figuration, where layered textiles, patterned surfaces and painted forms coalesce into complex meditations on identity, embodiment and the politics of representation.

A significant addition to the Collection, Submission reflects Self’s ongoing inquiry into the tensions between the observed, the imagined and the self-defined body. As the artist notes ’Submissions is not only about control, submission can be an act of love, or acceptance.’ The Work resonates with the Collection’s focus on embodied and abstracted figuration - seen in artists such as Daniel Richter - and on practices that explore interior, affective and social worlds as exemplified by artists like Tal R.

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Nusra Latif Qureshi: The House of Irredeemable Objects 

MUMA
26 July – 20 September 2025

Nusra Latif Qureshi, The Inventory of Noble Causes, 2019

Mark Manders, Bonewhite Clay Head with Vertical Cloud, 2024.

Acquisition

Mark Manders

Bonewhite Clay Head with Vertical Cloud, 2024, incorporates many of Manders’ key concerns, including material tension, the paradoxical co-presence of the organic and the rational, and the mythic and the logical. The work sits within his primary conceptual enquiry – the architecture of the mind – as part of the Self Portrait as a Building series.

As such, this piece represents a significant contribution to his practice: emblematic of his core themes, and rendered with an incredibly poetic combination of delicacy and rupture.

It aligns closely with the current collecting strategy, which includes Abstract Abject, embodied and abstracted figuration, and explorations of psychological or interior worlds. Manders’ contorted psychological self-portraits resonate with other key works in the Buxton International Collection, including Mike Parr’s Volte Face (12), 2022, and Huma Bhabha’s Fury, 2021. Curator, Emily Cormack

IMAGE: Mark Manders, Bonewhite Clay Head with Vertical Cloud, 2024

POESIS by Prue Lang

News

Buxton International presents: An extract from POESIS by Prue Lang

POESIS is a new choreographic work created in collaboration with performers Tara Jade Samaya and Benjamin Hancock, featuring music by Chiara Costanza.

POESIS explores the concept of counterpoint, drawing on ideas from sensory ecology, physical intelligence, and mythology. It delves into the evolution of perception, examining how our sensory systems shape our actions, kinesthetic engagement, and understanding of the world. The work also explores the role of movement in expanding sensory experience.

The full performance appeared at DANCEHOUSE on April 3, 4, & 5, 2025.

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Tony Clark: Unsculpted

Buxton Contemporary
1 November 2024 to 31 May 2025

Tony Clark, Seated & reclining, 2008

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Tennant Creek Brio: Juparnta Ngattu Minjinypa Iconocrisis

ACCA

1 September – 17 November 2024

Rupert Betheras and Fabian Brown Japaljarri, Pipeline, 2024

Nicholas Mangan, Termite Economies, 2018-20, installation view, Nicholas Mangan: A World Undone, Museum of Contemporary Art Australia, 2024, image courtesy the artist, Museum of Contemporary Art Australia, Sutton Gallery, Australia and LABOR, Mexico © the artist, photograph: Hamish McIntosh

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Nicholas Mangan: A World Undone

Museum of Contemporary Art Australia (MCA)
5 April – 30 June 2024

Nick Mangan, Termite Economies, 2018

IMAGE: Nicholas Mangan, Termite Economies, 2018-20, installation view, Nicholas Mangan: A World Undone, Museum of Contemporary Art Australia, 2024, image courtesy the artist, Museum of Contemporary Art Australia, Sutton Gallery, Australia and LABOR, Mexico © the artist, photograph: Hamish McIntosh

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Acts of Creation: On Art and Motherhood

Arnolfini Arts, Bristol

9 March – 26 May 2024

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Tala Madani, Shit Mom, 2024

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RAINBOW SERPENT (VERSION)

Gropius Bau, Berlin
24 March to July 9 2023

Daniel Boyd, Untitled (TGRTMA), 2021

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Renee So: Provenance

MUMA
27 April – 8 July 2023

Renee So, Woman VI, 2020

Renee So, Relaxation, 2019

Renee So, Woman I, 2017

Renee So, Boots, 2012

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Peter Tyndall

Buxton Contemporary

9 December 2022 – 16 April 2023


Peter Tyndall, (Free Pencil Movement protest banner), 2004

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The Posthuman City. Climates. Habitats. Environments

NTU Centre for Contemporary Art Singapore
23 November 2019 – 23 February 2020

Nick Mangan, Termite Economies, 2018

IMAGE: The Posthuman City. Climates. Habitats. Environments NTU Centre for Contemporary Art Singapore. 2019/20

Nick Mangan, Termite Economies, 2018

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Termite Economies (Phase One)

Perth Institute of Contemporary Art (PICA)
27 July – 6 October 2019

Nick Mangan, Termite Economies, 2018

IMAGE: Nick Mangan, Termite Economies, 2018

Installation view, Material Place: Reconsidering Australian Landscapes’ UNSW Galleries, 2019

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Material Place: Reconsidering Australian Landscapes

UNSW Galleries
21 June – 7 September 2019

Nick Mangan, Termite Economies, 2018

IMAGE: Installation view, Material Place: Reconsidering Australian Landscapes’ UNSW Galleries, 2019. Pictured: Yukultji Napangati, Untitled 2010; Robert Andrew, Touching Pindan2016; and Nicholas Mangan, Termite Economies 2018. Photo: Zan Wimberley

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CONCRETE : art design architecture

Jam Factory

1 March – 28 April 2019 

Jamie North, Remainder #12, 2017

Patricia Piccinini, Kindred 2018 (paintings by Joy Hester),

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Patricia Piccinini and Joy Hester: Through love …

Tarrawarra Museum of Art
24 November 2018 – 11 March 2019

Patricia Piccinini, Kindred, 2018

IMAGE: Patricia Piccinini, Kindred 2018 (paintings by Joy Hester), Patricia Piccinini and Joy Hester: Through Love, Tarrawarra Museum of Art 24 Nov. 2018 – 11 Mar. 2019

Nicholas Mangan, Termite Economies, 2018, installation view. Courtesy: the artist and Taipei Biennial

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Post-Nature – A Museum as an Ecosystem

Taipei Biennial 2018
17 November 2018 – 10 March 2019

Nick Mangan, Termite Economies, 2018

IMAGE: Nicholas Mangan, Termite Economies, 2018, installation view. Courtesy: the artist and Taipei Biennial

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Eva Rothschild: Kosmos

City Gallery Wellington
6 April – 28 July 2019

Australian Centre for Contemporary Art (ACCA)
28 September – 25 November 2018

Eva Rothschild, The Way In, 2018

IMAGE: Eva Rothschild: Kosmos, Australian Centre for Contemporary Art (ACCA). 28 Sept. – 25 Nov. 2018

Patricia Piccinini, Kindred, 2018

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Patricia Piccinini: Curious Affection

Queensland Art Gallery | Gallery of Modern Art
24 March – 5 August 2018

Patricia Piccinini, Kindred, 2018

IMAGE: Patricia Piccinini Curious Affection Queensland Art Gallery | Gallery of Modern Art. 24 Mar. – 5 Aug. 2018

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Kushana Bush: The Burning Hours

Dunedin Public Art Gallery

3 December 2016 - 17 April 2017
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Kushana Bush, Exorcism, 2014

Kushana Bush, Reading the Bird Entrails, 2014

Kushana Bush, Flogging, 2014

Kushana Bush, The Paper Play, 2014